JFDR, the latest project from Iceland’s Jófríður Ákadóttir (Samaris, Pascal Pinon, Gangly), is a blend of cyclical guitar parts, soft minimal soundscapes, and poetic wonderings of a journey that ends where it began. Drawing from classical, folk, and electronic backgrounds, JFDR amalgamates the sounds of changing seasons, her voice a current that moves through rough seas to smooth waters. But perhaps JFDR shines the most in her capacity as a wordsmith, employing rich imagery to evoke the subtle emotions embedded in each song. Her first full length album, co-produced by legendary multi-instrumentalist Shahzad Ismaily, was released in March 2017.
“I got obsessed with her band Samaris a few years ago,” says Björk, “and then it was amazing to see her do her own stuff. She’s surrounded herself with a really authentic community of friends. There are probably about 150 musicians in Reykjavik, and groups there sort of become the opposite of each other, like, ‘Oh, that singer’s dressed like that, I better dress the opposite.’ Such is the tight-knit scene in Iceland, she continues, that “you naturally develop individuality. Also, you’ll be in a classical band and an electronic band and a metal band, and that’s okay. Everything blurs into each other, which I’m sure you can hear in Icelandic music.”
Björk, The Guardian ‘Björk On Her Inspirations’